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Certainly, it’s violent, and usually against women, but is it really torture porn if it’s meticulously contextualised? Personally, I came to series four more concerned about the entire concept flagging: Handmaid undeniably benefited from coinciding with the Trump presidency, which gave it a sense of emergency – could they keep that up now Trump has gone? Such scenes have led to charges of “torture porn” against Handmaid. As Esther is about to execute one of the rapists in the pig shed, June bestows one of her fiercest stares: “Good girl, make me proud.” Handmaid is many things – sickening, poetic, flawed, magnificent – but above all, still relevant A new character – bratty, alarming teenage wife Esther (“I am the mistress of this house!”), vividly portrayed by Mckenna Grace – is revealed to have been passed around by her husband to be raped by other men.
The story has long moved away from Margaret Atwood’s 1985 novel: June and other handmaids are now hiding on a pig farm, and June, though shot, has once again improbably survived after getting 86 children out of Gilead and safely to Canada at the end of the last series.
Philly DA: Breaking the Law (BBC Four) | iPlayerĪs The Handmaid’s Tale returns for a fourth series, you could be forgiven for wondering what, if anything, could kill protagonist June, played by Elisabeth Moss? Are we at the point where a nuclear warhead would just bounce off her handmaid’s cap, leaving her slightly singed, glaring with her signature intensity, but still very much alive, like a feminist-dystopian Tom and Jerry?